Another Review for An African Alphabet!

Just received a review from the School Library Journal for An African Alphabet written by Eric Walters, published by Orca Book Publishers. More to see at suetodd.com!

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Kirkus Review!

I was thrilled to receive a star Kirkus Review of An African Alphabet, a board book by Eric Walters, published by Orca Book Publishers. I am excited to be working with Orca and Eric again on a new picture book, The Wild Beast, coming in Fall 2018!

Work in Progress

Orca Book Publishers invited me to illustrate another book by children’s author, Eric Walters! I am excited about creating lino-cut art for The Wild Beast, a 32-page picture book due for release in the fall of 2018. That’s a long way from now but I will need time to execute some of the very detailed illustrations ahead. Shown below is one of the simpler ones. This is a rough sketch on tracing paper.

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The After Party

A good time was had by all on Fathers Day at Indigo Yonge and Eglinton, Toronto. Lots of budding artists of all ages stopped by to try their hand at printmaking and stamping characters from An African Alphabet by Eric Walters, published by Orca Books. Thanks to Christie Williamson, Customer Experience Manager, IndigoKids, for inviting me back and for making the event a huge success!

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An African Alphabet Workshop

African Alphabet_ Indigo Eglinton_5-4-17

Printmaking fun at Indigo Yonge and Eglinton! I will demonstrate my lino-cut illustration technique and invite the young and young at heart to try their hand at printmaking. There will be stamping and colouring activities from An African Alphabet written by Eric Walters and published by Orca Book Publishers.

The making of a linocut illustration

An interest in Revolutionary and Napoleonic France propelled me to explore the lives of influential women from the period. I developed an interest in the fascinating life of Josephine Bonaparte and have written and illustrated a graphic novel about her  journey from a plantation in Martinique, through the Terror to become Empress of France. The rough dummy is complete and a few pieces of final art, including this scene of a Victims’ Ball. Legend has it that after the Terror victims gathered to dance wildly as a release from the horrors they had experienced under the Jacobins.  Women and men sheared their hair at the nape of the neck where the guillotine blade would have fallen. Women purportedly wore red chokers for the same reason. The historical accuracy of these accounts is contentious but it makes for an interesting story.

VictimBall_sketch
This is the preliminary sketch of the Victims’ Ball scene. I usually do my roughs in felt tip pen but this was so detailed I thought it might be more efficient to use pencil and eraser rather than continually retracing as the drawing develops. I got into the habit of working with pen on tracing paper from my days as a retail layout artist.
VictimsBall_lino
This is the scan of a detail of the inked linoleum carving. I am so accustomed to thinking in reverse after all these years in printmaking that I have trouble discerning reality from its mirror image. I can, however, read text backward with great facility.
VictimBall_Paper
I often use a textured background under my line work and colorize it in Photoshop with Hue/Saturation. This is one of my favourite textures, a scanned sheet of kraft paper. The process may look laborious but I have gained speed over the years and still enjoy the combination of hand carving and digital work. Variety is the spice of life!

 

 

 

 

 

 

Forgotten Women

Franciscan Media commissioned me to illustrate the story, Forgotten Women of the New Testament, for St. Anthony Messenger magazine. I love this business because I learn something new everyday! I am a big fan of medieval art and enjoy illustrating saints and religious icons. My linocut technique seems a good fit for these kinds of stories and I am inspired by historical accounts of intrepid women who pushed through societal limitations to change the world.